00:00 Opening statements (two) of the four note motive. An  overlapping of the motive builds until the last note  is held ending the phrase. Exposition. Fig. 1
00:18 Second phrase, similar structure.
00:43 French horn (motive plus three more notes which will be  developed later). Fig. x
00:45 Second theme, contrasting long melodic lines. Fig. 2
01:07 Transition theme to the end of exposition. Fig. x
01:27 Exposition repeats completely (both theme groups) Fig. 1
02:13 Second theme (repeat). Fig. 2
02:34 Transition theme, this time leading into the development.  Fig. 4
02:54 Development begins with the motive (French horns) and  continues developing the motive with melodic  fragments (strings) from the more flowing second  theme. Fig. x
03:05 Echoes between the woodwinds and strings (four note  rhythm). 
03:23 Tutti rhythm, full orchestra.
03:30 Fugal texture. Fig. 3
03:42 Two note echoes. Fig. x
03:50 One note echoes, softening.
04:03 Suddenly loud for a brief moment then back to one note  echoes.
04:12 Loud tutti orchestra, four note motive, ending the  development section.
04:17 Recapitulation. Fig. 1
04:36 Oboe cadenza (brief). Fig. x
04:51 Texture builds using the motive.
05:14 Second theme. 
05:37 Move from minor to major. 
05:50 Coda becomes a transition theme and false ending.
06:00 Extension, developmental texture.
06:14 Low strings start the motive, the orchestra joins into a  tutti descending melodic line.
06:30 New thematic material is echoed through the orchestra.
07,06 Final coda. Sounds like another recapitulation but spins  out and quickly looses momentum.
07:22 Final cadence.
07:30 End.